Diploma project
2021
Publishing, video, sound, carved stone, multiple media
Font: G2 Erika mono by Gruppo Due — Multikulturelle by Arthur Teboul
"il me semble que la vue de ce voir n’est jamais assez dégagée"*
*This title comes from the delicate words of Jean-Christophe Bailly «Toi aussi tu as les armes,
poésie et politique» La Fabrique
taking care
of our attention
of the other
of our environment
of our words
The project is in the form of an experiment done alone or with others. This experiment starts with protocols. A protocol of presence, another of conversations and one of distribution of words. When I take up the title "Rien ne me sépare de la merde qui m'entoure"* it is a question of becoming aware of our invisible links. This becomes a necessity, a way of being to the living. It is on the one hand a proposal to make resonance and to leave our individualism. On the other hand, it is a way to re-connect in a collective emancipation movement to our perceptions, senses and emotions. With the inspiration of texts by Monique Witting, Audre Lorde or Volmir Codeiro. This space is an oral, written and sensitive retranscription of the three protocols applied. The result of these experiences are retranscribed by islands. There is a signpost that also serves as a label that is silk-screen printed on the bricks.
*"nothing separates me from the shit that surrounds me" extract from the text written and read by Virginie DESPENTES invited by Paul.B PRECIADO in March 2020, at Centre Pompidou
Diploma project — 2021— Publishing, video, sound, carved stone, multiple media — Font: G2 Erika mono by Gruppo Due/Multikulturelle by Arthur Teboul
"il me semble que la vue de ce voir n’est jamais assez dégagée"* *This title comes from the delicate words of Jean-Christophe Bailly «Toi aussi tu as les armes, poésie et politique» La Fabrique
taking care
of our attention
of the other
of our environment
of our words
The project is in the form of an experiment done alone or with others. This experiment starts with protocols. A protocol of presence, another of conversations and one of distribution of words. When I take up the title "Rien ne me sépare de la merde qui m'entoure"* it is a question of becoming aware of our invisible links. This becomes a necessity, a way of being to the living. It is on the one hand a proposal to make resonance and to leave our individualism. On the other hand, it is a way to re-connect in a collective emancipation movement to our perceptions, senses and emotions. With the inspiration of texts by Monique Witting, Audre Lorde or Volmir Codeiro. This space is an oral, written and sensitive retranscription of the three protocols applied. The result of these experiences are retranscribed by islands. There is a signpost that also serves as a label that is silk-screen printed on the bricks. *"nothing separates me from the shit that surrounds me" extract from the text written and read by Virginie DESPENTES invited by Paul.B PRECIADO in March 2020, at Centre Pompidou